Costumes and makeup can be made or ruined by the light and color put on them. A poorly lit performer is harder for the audience to believe. Lighting a set right is the difference between community theater and Broadway. Part of the lighting designer's job is to not only bring their vision to the table, but to make all their other collaborators work look good. We are working with not just the performers, but scenic designers, costume and makeup designers, video, etc. Live performance is inherently collaborative. In photography we could translate that into environmental portraiture perhaps. So where do I start with light on a project? Since most of my work is in dramatic storytelling (opera, theater, dance) I have to consider the where, when, and why of place as much as of person. The tour is much smaller(as it all needs to fit in a 25' truck) so we only have a few dozen lights in that rig but all automated fixture. all controlled by a computer lighting console. For the Lincoln Center gig I've got around 500 lights, 30 of which are automated fixtures that can reposition, color change, project patterns and movement, etc. "Lighting a set right is the difference between community theater and Broadway."įor a sense of scale most photographers start getting overwhelmed by three zones of control and much more than three lights. With that, let's join him mid-stream and eavesdrop at the bar. You can see more images from that opera here, and more examples of Lucas' live performance work, here. The kind of thing where you'd definitely try to grab a stool within earshot and take in as much as you can.įor the sake of this not becoming a giant blob of gray text, I've also included (with permission) some of the photos Lucas took of his work on Madama Butterfly at Opera Colorado in Denver.
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But as we were just making an L103 detour into the use of color in TV and cinema, I thought this might be the best place to put it.Īs for the material, it is kinda like I was eavesdropping on a late-night conversation between lighting guys at a bar in the Theatre District in NYC. I'm not in the busness of trying to scare people off. It felt a little too info-dense to just drop in as a stand-alone post without proper context. What I got back was basically a firehose/brain dump that gave me a fascinating look into how he thinks. He is also is a photographer, which is how we originally intersected via Twitter.Ī ways back, I wrote to him to find out a little more about how people approach the process of lighting live performances. New York-based Lucas Krech is a lighting designer who works with operas, dances, plays and performance pieces. No worries we'll be back in the center of the bell curve in the next installment. But for others, it'll be a very cool look into the way live performance lighting designers think with respect to color. For some of you this will make your eyes glaze over. Fair warning: we are taking a bit of a deep dive. Today in Lighting 103, a little side trip. (No birds or eggs were harmed, though.Abstract: A dynamic, 3-D scene and hundreds of sources-a talk with a theatrical lighting designer Fish and Wildlife Service, but ended up destroying the nest. They were careful to follow the advice of the U.S. They didn’t like the camera, and were attacking it, so highway officials removed the nest. Viewers had a front-row seat to life as an osprey. In 2014, a pair of the federally-protected birds built a nest right in front of one of the Maryland Transportation Administration’s traffic cameras. Their incredible hemispheric migration back to their nest at the Bay Bridge dwarfs any vacation getaway, and it’s a shame the construction coincides with their predictable return for breeding season.” “It’s not the most ideal location, above a major highway that carries about 100,000 vehicles every day, but they’re determined. “They’ve been trying to cobble together a makeshift nest on the gantry all day long Thursday,” said Dave Dildine in the WTOP traffic center. Undeterred by the loss of their platform, a pair of ospreys has returned to the Chesapeake Bay Bridge. Business & Finance Click to expand menu.
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